Archive for the ‘ Album Review ’ Category
After releasing 11 albums to almost no fanfare whatsoever, it is his twelfth offering that is finally getting Ron Sexsmith wider recognition for his work. With celebrity fans from Elton John to Bob Dylan, Sexsmith has long been known as a ‘songwriters songwriter’ but with his Radio 2 playlisted single ‘Believe It When I See [ READ MORE ]
This morning, Radiohead’s new album was released a full 24 hours earlier than had been expected. This caused a flurry of excitement all over the place, but at the time of release I was stuck in the office with the internet down. I had no way of hearing The King Of Limbs until I reached [ READ MORE ]
Mike Skinner may well have made the right decision in retiring The Streets. When Original Pirate Material was released in 2002, Mike Skinner’s ordinary bloke lyrical style was refreshingly unique, but as with anything popular, it drew its fair share of copycats (some of which Skinner even signed to his ill-fated label). While the influence [ READ MORE ]
I refuse to dignify this travesty with a review longer than this sentence[ READ MORE ]
Kanye West couldn’t have come up with a more apt description of his latest record than the very title he gave it; My Beautiful Dark Twisted Fantasy is just that. Anyone familiar with Kanye’s Twitter feed will know just how erratic he can be. Tweets about his new diamond teeth run close to hour long [ READ MORE ]
With the fastest selling tour in British history tucked firmly under the belts of the recently reformed five piece, you’d be forgiven for expecting an album harking back to their 90′s heyday. However with Progress, the band have released one of the most striking albums of the year. Lead single ‘The Flood’ is the closest [ READ MORE ]
“Hey Mr DJ won’t you turn the music up?” When Rihanna released her debut album Music Of The Sun in 2005 she was 17 years old, and the album’s opening track ‘Pon De Replay’ was about a DJ not playing music loud enough. Now in 2010, the Barbadian has released Loud, whose opening track ‘S&M’ [ READ MORE ]
Apparently Nadine Coyle’s debut solo album isn’t doing too well, which is a shame because it contains some pretty good pop songs. Actually, it contains about three or four good pop songs and several other tracks that aren’t quite as good but are still better than most songs on Cheryl Cole’s Messy Little Raindrops. This [ READ MORE ]
After being supremely underwhelmed by N*E*R*D’s performance at Glastonbury Festival in 2009 and appalled at the band’s behaviour following the plug being pulled on them for running over their time slot, I approached their new album with trepidation. However that trepidation was unnecessary, as Nothing is N*E*R*D’s strongest album since In Search Of… . Lead [ READ MORE ]
With her divorce from a cheating husband and battle with malaria taking up many a headline over the last 12 months, Cheryl Cole (the only woman on earth who actually cry’s angel’s tears) has had plenty to be upset about. However with none of the lyrics having been written by Cole herself, we were unlikely [ READ MORE ]
The first three tracks on Youth & Young Manhood included ‘Wasted Time’ and ‘Happy Alone’, Aha Shake Heartbreak included ‘King Of The Radio’ and ‘Taper Jean Girl’, Because Of The Times had both ‘Charmer’ and ‘On Call’ while the mighty Only By The Night opened with ‘Closer’, ‘Crawl’, and ‘Sex On Fire’. All are fan [ READ MORE ]
A quick look through Performance’s history suggests that this is a band that shouldn’t even exist. School friends Joe Stretch, Laura Marsden and Joe Cross formed the band in 2003 and quickly became well known on Manchester’s live scene. A deal with Polydor records followed in 2005 but was scuppered by various bouts of romance [ READ MORE ]
Record Collection is an apt description of the new Mark Ronson album, with appearances coming thick and fast from hip-hop luminaries Ghostface Killah and Q-Tip, to 80′s pop masters Simon Le Bon and Boy George. Having done away with the horns, this is supposedly a representation of Ronson’s own record collection. Opening track and lead [ READ MORE ]
The opening track to A Complete Introduction To Sugar Hill Records is the record that pushed hip-hop into the mainstream. ‘Rappers Delight’ by The Sugarhill Gang is an undeniable classic. The 15 minute track was selling thousands of copies a day and getting radio airplay that hip-hop had never before received. Some radio stations even [ READ MORE ]
The official website for Stuart Warwick says that “In his spare time he writes music” which is quite an odd description of a musician considering that it is meant to be their profession. Not so for Stuart Warwick, who’s day job is actually as Professor of Applied Anthropology at the London School of Economics. The [ READ MORE ]
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